The Short Take on Liturgical Music

From a letter sent to the Papal College of Sacred Music (100 years old!!):

The Pope then emphasized how, since St. Pius X until today, "even though evolving naturally, there has been a substantial continuity of the Magisterium on sacred music". In particular he cited Paul VI and John Paul II who "in light of the conciliar constitution 'Sacrosanctum Concilium', reiterated the purpose of sacred music, that is to say, 'the glory of God and the sanctification of the faithful' and the fundamental criteria of the corresponding tradition...: a sense of prayer, dignity, and beauty; full adherence to liturgical texts and expressions; the assembly's participation and, therefore, the legitimate adaptation to local culture, at the same time maintaining the universality of language; the primacy of Gregorian chant as the supreme model of sacred music and the careful assessment of other expressive forms that make up the historical-liturgical patrimony of the Church, especially but not just polyphony; and the importance of the 'schola cantorum', particularly in cathedral churches".

"However, we always have to ask ourselves: Who is the true subject of the liturgy? The answer is simple: the Church. It is not the individual or the group that celebrates the liturgy, but it is primarily God's action through the Church with its history, its rich tradition, and its creativity. The liturgy, and thus sacred music, 'lives from a correct and constant relationship between healthy traditio and legitimate progressio', keeping always in mind that these two concepts ... are interwoven because 'tradition is a living reality that, therefore, encompasses within it the very principle of development and progress'", the Pope concluded.

Very useful because it is concise and accurate.

HT: Ten Reasons