The KGB vs. Pius XII: "The Deputy"

Most of you know that the play The Deputy has been used (and cited) as ammunition against the Catholic Church. In sum, the play questions the Church's attitudes and actions on behalf of the Jews during the Holocaust.

But you don't know this:

In 1963, General Ivan Agayants, the famous chief of the KGB’s disinformation department, landed in Bucharest to thank us for our help. He told us that “Seat-12” had materialized into a powerful play attacking Pope Pius XII, entitled The Deputy, an oblique reference to the pope as Christ’s representative on earth. Agayants took credit for the outline of the play, and he told us that it had voluminous appendices of background documents put together by his experts with help from the documents we had purloined from the Vatican. Agayants also told us that The Deputy’s producer, Erwin Piscator, was a devoted Communist who had a longstanding relationship with Moscow. In 1929 he had founded the Proletarian Theater in Berlin, then sought political asylum in the Soviet Union when Hitler came to power, and a few years later had “emigrated” to the United States. In 1962 Piscator had returned to West Berlin to produce The Deputy.

...The Deputy saw the light in 1963 as the work of an unknown West German named Rolf Hochhuth, under the title Der Stellvertreter. Ein christliches Trauerspiel (The Deputy, a Christian Tragedy). Its central thesis was that Pius XII had supported Hitler and encouraged him to go ahead with the Jewish Holocaust. It immediately ignited a huge controversy around Pius XII, who was depicted as a cold, heartless man more concerned about Vatican properties than about the fate of Hitler’s victims.

Before writing The Deputy, Hochhuth, who did not have a high school diploma (Abitur), was working in various inconspicuous capacities for the Bertelsmann publishing house. In interviews he claimed that in 1959 he took a leave of absence from his job and went to Rome, where he spent three months talking to people and then writing the first draft of the play, and where he posed “a series of questions” to one bishop whose name he refused to reveal.

Lots more at the link to Open Book. The author of the above is a Romanian intelligence officer, who was acquainted with higher-level KGB bastards.

HT Amy